Racette’s Salome puts lurid seal on Opera San Antonio (Diane Windeler for CVNA) Jan. 15, 2015 
Heracles and me: Responding to an object in the SA Museum of Art’s Greek Collection 2011
SA Symphony, SLL; Camerata: Richard Strauss — a man of the theatre Jan. 17, 2015
Photos of the Tobin Center for the Performing Arts
music, theatre, architecture, the city, etc. / san antonio / mike greenberg / diane windeler
Attic Rep/‘Who’s Afraid of Virginia Woolf?’: Black belts in marital arts Nov. 14, 2014
SA Symphony’s new music director: Sebastian Lang-Lessing seeks a sound, connects with local tradition Feb. 22, 2010
music
Morocco, 2013
The veil
Studio theater
The ordered array of LED lights and the angled faces of the panels came late in the game. 
Previous posts...
Tobin Center in the final stretch: Musings on acoustics, the urban context and digital technology as a design tool May 15, 2014
about
theatre
respond
Reviews by Diane Windeler
A case for urban density, Part 1: Did we really ‘choose’ suburbia? August 8, 2014
Classic Theatre/‘Ghosts’: Strangled by morality Nov. 12, 2014
Lives of the sunflowers
The Vex/‘The Trojan Women’: Spoils of war Oct. 28, 2014
A case for urban density, Part 2: The high costs of low density August 11, 20114
Button
Playhouse Cellar/ ‘End of the Rainbow’: Judy versus Garland Oct. 14, 2014
Review: In new downtown stage for the arts, design runs deep
culture& ideas
Whodunnit
Woodlawn Theatre/‘Unbroken Circle’: Funerals are for skeletons Sept. 29, 2014
photography
Camerata San Antonio: Music from Poland, lean and lush Nov. 25, 2014
The architecture of the Tobin Center for the Performing ArtsSeptember 14, 2014 
Secrets of the veil: How to weave a mantilla
Road trip, 2014
What’s where at  the Tobin:Interactive map with photos
For music reviews, news and commentary from across the US and Canada, and sometimes beyond, visit Classical Voice North America, the web journal of the Music Critics Association of North America. Some reviews on incidentlight.com appear first on CVNA.
Where we eat
Front lobbies
Men and their stories
Previous posts...
Musical muscle in Opera San Antonio Salome (Mike Greenberg for Opera News) Jan. 15, 2015
H-E-B Performance Hall
incident light
‘We have to have a place of our own’: An account of an ugly incident in Chicago, 1975
How the Tobin Center was born
architecture & urbanism
SA Symphony, SLL, Daniel Hope: In mostly-Strauss concert, the bad boys win Jan. 24, 2015
Memo to COK: Thanks: Remembering the late editor and publisher July 11, 2013
Front facade (remnant of 1926 Municipal Auditorium)
How the Tobin Center was born
SA Symphony, Abrams, Albers: Dispatches from America  Nov. 15, 2014