Heracles and me: Responding to an object in the SA Museum of Art’s Greek Collection 2011
SA Symphony, Ruth Reinhardt, Andrei Ioniță: Quicksand Feb. 22, 2020
Photos of the Tobin Center for the Performing Arts
music, theatre, architecture, the city, etc. / san antonio / mike greenberg / diane windeler
Classic Theatre / The Cherry Orchard, by Chekhov: Russian staple, reimagined for US May 18, 2018
SA Symphony’s new music director: Sebastian Lang-Lessing seeks a sound,
connects with local tradition Feb. 22, 2010
music
VOCES8: A nimble, finely tuned V8 March 3, 2019
The veil
SA Philharmonic/Kazem Abdullah, Vanessa Becerra: Climbing the mountain April 15, 2023
Studio theater
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Cellar Theater / Hand to God, by Robert Askins: Sock it to me April 20, 2018
theatre
respond
SA Philharmonic/Noam Aviel/D. Illarionov, B. Andrionov: Sounds like Beethoven May 13, 2023
Classic Theatre /A Doll’s House by Henrik Ibsen: Desperate housewife November 7, 2017
‘We have to have a place of our own’: An account of an ugly incident in Chicago, 1975
architecture & urbanism
Playhouse SA Cellar / Constellations, by Nick Payne: Diverging parallels Nov. 1, 2017
Stop portraying the Alamo through white-colored glasses Aug. 17, 2018
Bienvenido a San Antonio
Exhibit at Urban-15
March, 2015
culture& ideas
Vexler Theatre / Steel Magnolias, by Robert Harling: At this salon, a simple cut is fine May 22, 2018
photography
Review: In new downtown stage for the arts, design runs deep
Secrets of the veil: How to weave a mantilla
Opera SA, Bellini’s The Capulets and the Montagues: Seeing, and feeling, with our ears Feb. 15, 2020
Invisible people, Part 2: No Texas without cotton; no cotton without slaves Nov. 5, 2018
What’s where at the Tobin: Interactive map with photos
Invisible people, Part 1: The Alamo belongs to ‘all of us,’ but ‘all' doesn't mean ‘all’ Nov. 5 2018
Alamo plan post-mortem: Fatally flawed from inception Sept. 30, 2020
Whodunnit
Front lobbies
For music reviews, news and commentary from across the US and Canada, visit Classical Voice North America, the web journal of the Music Critics Association of North America.
How the Tobin Center was born
Remember: The elephant that wasn’t in the room March 6, 2020
H-E-B Performance Hall
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CMI Chamber Orchestra, Alexandra Arrieche: An orchestra you need to know Feb. 26, 2020
Men and their stories
Camerata SA, Olmos Ensemble, SOLI Chamber Ensemble: Chamber music roundup Feb. 21, 2020
Architecture of the Tobin Center for the Performing Arts Sept. 14, 2014
incident light
Water’s Ways and Ours: Draft of the introduction for a proposed book – it started out as a photography project – about the evolving relationships between people and water in an urban area. “Waterways and the ways of water laid down many of the terms and conditions for human habitation of our region – its patterns of migration and settlement, its culture and economy, its means of support, its inequalities.”
Remember the plaza April 21, 2017
Blinded by the cult of Alamo worship, the $450 million plan would sacralize the remnants of the Spanish mission at too high a cost to Alamo Plaza.
Front facade (remnant of 1926 Municipal Auditorium)
Memo to COK: Thanks: Remembering the late editor and publisher July 11, 2013
Agarita Chamber Players: Ambiguities from the 20th century March 15, 2020
How the Tobin Center was born